Receiving new stock from Jean-Louis Blin is so exciting - there are no catalogues, no websites, no order forms to create a bespoke list; so the very first time I see the jewellery is when it arrives in the shop. With every shipment, Jean-Louis seems to become more innovative and more experimental; always injecting freshness and creativity into his offbeat vintage-style range.
This pair feature a couple of beautiful, upcycled pastel glass stones, rescued from an old piece of jewellery and given a new lease of life in Blin's glamorous gothic mounts.
Taking influence from the Art Nouveau scene that dominated Western Europe, Blin stays true to the Paris of the past by incorporating curvilinear shapes, Edwardian flourishes and fin-de-siecle butterfly motifs into his handcrafted pieces. These traditional elements are effectively blended with edgier components such as carved beetles, hanging curb-chain curtains and ghostly iridescent crystals.
He doesn't skimp on detail or size, meaning his earrings work perfectly paired with minimal accessories, or no accessories at all.
I adore the work of this truly singular designer: someone who has been honing his craft for over forty years and stayed faithful to his own vision of what makes jewellery beautiful.
French favourite Philippe Ferrandis releases eight new ranges per season, each with a highly distinctive vibe. With Philippe having worked as a jewellery designer since 1986, it's incredible that every collection still surprises with its individuality and freshness - he never seems to run out of inspiration. I can never wait until the galleries for his newest designs appear online - it's trimming down my order that's the tricky part! The first from the SS16 collection to feature on alexandramay.com are the beautiful opal blooms of the 'Daisy' collection.
These frosted treats are fitted with a clip-on backing to ensure they don't weigh down piercings. If you're wary of clip-ons, try Philippe's - they're the most comfortable I've discovered so far. As always with Ferrandis earrings, it's the blend of textures and finishes that distinguish them. The iridescent daisy centres (above) are made in polished Mother of Pearl...
While the Swarovski drops in this pair
are made in opaline crystal, a ghostly, almost phosphorescent material that reflects light more smoothly than its semi-precious stone counterpart.
Having collaborated with Givenchy, Chanel and Balmain, Philippe is an expert in producing couture costume jewellery. What I love is the stunning simplicity of his designs.
Emerging designer Heidi Bennett's range is a revelation: hand-produced, unconventional and bursting with bold colour. She was one of my top jewellery discoveries of last year, so I was pleased to become one of her first stockists. I've now topped up my Heidi collection with nine new pairs of earrings for Summer 2016.
Every line is made in small batches, and, since the jewellery is stitched and and finished by hand, no two pairs are exactly alike.
Heidi's eclectic range of influences combine to beautiful effect in her work: folk, gypsy, Russian, '60s bohemian and '40s dressing-table-pearl styles can all be found in the collection (sometimes blended together in one pair!)
Since Heidi works alone at every step of the production process, from the initial product sketches to material sourcing to meticulously crafting the pieces, each earring is a showcase for her passion and skill.
Zoom in on the images to examine the perfection!